The Opera
Buddy Bolden was written in 2018 by Atlanta saxophonist and
composer Jeff Crompton. It’s a short chamber opera (approx. 45
minutes) written for five or more singers, with a saxophone trio
as the “orchestra.” The opera tells the story of the end of Buddy
Bolden’s musical career in New Orleans, as the brilliant musician
descended into mental illness.
Buddy Bolden is supported in part by a grant from the Atlanta
Mayor’s Office of Cultural Affairs. The piece is dedicated to the
memory of Tommy L. Crompton
The Characters
Buddy Bolden (bass/baritone) - a cornetist
Alice Bolden (soprano) - Buddy’s mother
Alphonse Picou (tenor) - a clarinetist
Beatrice & Louis (mezzo-soprano & baritone) - fans of Bolden
The Story
New Orleans, 1905-1906
Scene One: A Dance Hall
Buddy Bolden is sitting and oiling the valves of his cornet before
a gig. Alphonse Picou, a young substitute clarinetist enters.
Picou, a trained, “legitimate” musician, is thrust into the world of
improvised jazz by this first gig with Bolden. Beatrice and Louis,
fans attending the dance, sing Bolden's praises, recognizing that
his music is something new and different. Bolden ends the
scene with a lament which reveals his growing paranoia and
self-doubt.
Scene Two: Johnson Park
Buddy's band faces an empty dance hall – all the dancers are at
Lincoln Park across the street, dancing to the polite, refined
music of John Robichaux's orchestra. Bolden “calls his children
home” by aiming his horn over the fence and playing the blues.
A crowd rushes over to from Lincoln Park to listen and dance to
Bolden's band, joining in on Bolden's signature song, “Funky
Butt.” The crowd and the band are ecstatic, but the mood turns
somber at the end of the night when Bolden reveals that he has
already spent the money he was given for the gig, and cannot
pay the band.
Scene Three: A Labor Day Parade
Buddy Bolden's final gig. He has a mental and physical
breakdown during the parade, and sits on the curb, unable to
continue. Picou, with the assistance of trombonist Frank Dusen,
helps him home, to be cared for by his mother.
Scene Four: The Bolden Home
Alice Bolden offers a tortured prayer, asking God to help her
son. As she tends to him, he becomes delusional, believing that
she is trying to poison him. He chases his mother, trying to beat
her with a water pitcher. She runs out, screaming for the police.
Scene Five:
A male voice reads a document: the “Description of the Insane
Person” which details Bolden's mental condition and reveals
that he has been institutionalized at the state insane asylum in
Jackson. Alice ends the opera with a final aria, the text of which
is taken from a letter she wrote to Bolden's doctor, asking about
her son.